Trombone music

Solo Trombone - unaccompanied

A DAY IN THE CITY “7 Vignettes” (1986) by Howard J. Buss. These colorful musical scenes from the city are excellent study and recital pieces. Each movement is given a title which depicts an occurrence which the composer experienced one day in 1982 during a visit to New York City. The movements are Another Sunrise (based upon an early morning excursion to Central Park to witness the rising of the sun over the buildings); Off to a Busy Day (driving in heavy traffic, zigzagging around to avoid "crazy" drivers); The Lost Key Episode (the composer lost his car keys, but the key of the music is lost too); The Waitin' in Line Blues (an actual blues progression during which the performer alternates between playing with a straight tone and a heavy, obnoxious "corny" vibrato to show frustration at being stuck in a slow-moving line); Romantic Interlude (a beautiful, melodious and flowing waltz); Sudden Storm (getting caught up in a raging thunderstorm); and Out on the Town (has a cheerful Latin feel and breaks into swing as it reaches its climax). "Tonal, charming and imaginative! The low purchase price and the incisive approach of a skilled composer make this a piece worth seeking out.”- PMEA News (10’) Grade IV. $4.95
- Version for solo trombone, or baritone B304 $4.95 To order
- Version for solo bass trombone or tuba B305 $4.95 To order
A Day in the City Sound Sample: Movement 4, The Waitin’ In Line Blues.mp3 (1.2MB)

GOODBYE (1999) for unaccompanied trombone by Thomas Zugger conveys the passionate and intense emotions of saying goodbye to someone dear. Written in four interconnected movements: Despair, Grief, Conflict and Anger, and Acceptance and Hope.This captivating composition is an impressive showcase for the trombone. (7’) Grade V. B741 $4.95 To order

Trombone with one other instrument

   BALLAD (2004) for bass trombone (or tuba) and piano by Howard J. Buss received its world premier on May 9, 2004 at the Chetham School of Music in Manchester, England by Jonathan Warburton, bass trombone and Gilbert Cowlishaw, piano. This was commissioned by Mr. Warburton, and is a beautiful piece which radiates a sensuous lyricism and and nostalgic mood. The structure of the work is A-B-A-Coda, the A section is melodious, flowing, and expressive. The B section is more animated and has a playful nature. This is a “must” for your next recital or competition. (6’00”)This is a “must” for your next recital or competition. (6’00”) Grade IV-V. B388 $10.00 To order
Ballad Sound Samples: Excerpt 1 (the opening).mp3; Excerpt 2.mp3; Excerpt 3 (the ending).mp3
score sample .pdf file (will open with Acrobat Reader)

   BOOM TIME for trombone and percussion,words and music by Howard Buss, is an evocative and entertaining work in which both performers recite the text during performance. Cast in four movements: Boomers!, Thoughts of Grey, Trombone Magic, and Wild Nights, it addresses humankind’s relationship to technology in the modern world. The instrumentation includes tomtoms, cymbals, wood block, wind chimes, tam-tam, bell tree, triangle, bass drum, tambourine, hi-hat, whip, vibraslap, bells and vibraphone. Commissioned by and premiered at the 1998 International Trombone Festival. (12’) Grade VI. B359 $20.00 Questions? To order
Score sample: Mvt. 1 “Boomers!” .pdf file (will open with Acrobat Reader)
Score sample: Mvt. 2 “Thoughts of Grey!” .pdf file (will open with Acrobat Reader)
Score sample: Mvt. 3 “Trombone Magic” .pdf file (will open with Acrobat Reader)
Score sample: Mvt. 4 “Wild Nights” .pdf file (will open with Acrobat Reader)
Sample page: Percussion Set-up .pdf file (will open with Acrobat Reader)
Sample page: Performance Notes .pdf file (will open with Acrobat Reader)
Boom Time Sound Samples:
Excerpt, Movement 1A.mp3 (1MB); Excerpt, Movement 1B.mp3 (1004KB);
Excerpt, Movement 2.mp3 (944KB); Excerpt, Movement 3.mp3 (1MB);
Excerpt, Movement 4.mp3 (1.2MB)

New! DISCOURSE (1962) by Edward Troupin.
- Version for trumpet and trombone, 2 scores included. (8’) Grade V B701 $10.00 To order
- Version for flute and trombone, 2 scores included. (8’) Grade V B704 $10.00 To order
Edward Troupin (1925-2004) enjoyed an international reputation as a composer of instrumental music. Throughout his long and illustrious career as a professor of music at Ithaca College and later the University of Florida, he inspired numerous young composers. Mr. Troupin received his bachelor’s degree from Harvard University with a major in mathematics. Later he earned his master of music degree from the University of Michigan, where he studied with Ross Lee Finney. Troupin’s sound-world is dramatic and full of vitality. His Discourse for trumpet and trombone was composed in 1962, further edited in 2006, and transcribed for flute and trombone by Howard Buss. This entertaining duo is cast in five short and entertaining movements: Assertion, Reflection, Eulogy, Fantasy, and Comedy. The colorful and contrasting sections combine in charming balance to make a memorable concert feature.

FABLES FROM AESOP (2001) for violin and trombone by Howard J. Buss in 5 entertaining movements: The Dog Who Chased a Lion, The Astronomer, The Camel Who Wanted Horns, The Crow and the Pitcher, and The Rabbits and the Frogs. Each movement begins with a performer reciting the corresponding fable. The colorful and engaging music is idiomatic and sophisticated, yet it is accessible because of its strong programmatic nature. This piece is a hit with all types of audiences, including those comprised of children! It makes a great concert feature and also is highly effective on out-reach concerts in the schools. “Buss employs a variety of meters, tonalities, and an equality of parts to set this duet apart from other instrumental duos of mixed descent. This is a captivating achievement of great variety and craftsmanship.” - reviewed by Joel Elias, California State University, Sacramento in the July 2005 International Trombone Association Journal, Vol. 33, No. 3 - (13’) Grade V. B372 $12.95 To order
Fables from Aesop score samples:
Excerpt, Movement 1.pdf (2 pages, 192KB); (all will open with Acrobat Reader)
Excerpt, Movement 2.pdf (2 pages, 200KB);
Excerpt, Movement 3.pdf (2 pages, 180KB);
Excerpt, Movement 4.pdf (2 pages, 228KB);
Excerpt, Movement 5.pdf (2 pages, 280KB)

FOR THE FUNK OF IT (1985) for bass trombone (or tuba) and piano by Zack Browning offers hard-driving funk and off-beat reggae passages which are then contrasted with lyrical lines derived from a twelve-tone set. This unusual combination of styles creates an energetic and volatile setting for the performers, who must switch from one style to another within the course of the composition. The result is an entertaining and memorable work which is fun to perform. For the Funk of It was written for and premiered by Fritz Kaenzig of the University of Michigan. (5’) Grade V. B202 $12.00 To order
For the Funk of It Sound Sample: Excerpt.mp3 (1.1MB)

ILLUMINATIONS for bass trombone (or tuba) and piano by Howard J. Buss was commissioned for Charles Vernon, bass trombonist with the Chicago Symphony, and the 30th Anniversary of the International Trombone Festival. It is cast in two engaging movements: Reverie and Urban Lights. The first movement is lyrical and contemplative in nature, the second is a frolicking rondo which is hugely influenced by jazz and, in one section, funk music. This is a “must” for your next recital! (19’) Grade V. B369 $20.00 To order
Illuminations Sound Samples:
Movement 1 Sample A.mp3 (974K) Movement 1 Sample B.mp3 (796K)
Movement 2 Sample A.mp3 (845K) Movement 2 Sample B.mp3 (1MB)

LULLABYE FOR BEAR by Lee Heritage is a charming composition in which conservative modern writing is used in an appealing manner. Grade II-III. (3’30”) version for trombone and piano B726 $6.50 To order
(also available in an version for trombone choir (5 part) B727 $8.95 To order
Lullaby for Bear (ensemble version) Sound Sample: Excerpt.mp3 (798KB)
(Live outdoor recording: You will hear the faint sound of night crickets in the background.)

NIGHT TIDE (1995) for trombone and marimba by Howard J. Buss. An evocative interplay between aggressive and serene sections, this enchanting duo is an impression of the New England coastline at night. “The evening’s highlight, Night Tide was a stunning aural portrait of the sea’s ebb and flow.” - The Maine Sunday Telegram. (8’30”) Grade V. B327 $12.00 To order
Sound Sample#1.mp3 (1.1MB) Sound Sample#2.mp3 (1.1MB)

THREE DANCES for clarinet and trombone by Thomas Zugger in three movements : Jazz Waltz, Slow Dance, and Irish Jig. In this charming and entertaining work the composer envisions two people dancing with one another. The "lead" in each dance is shared in alternation between the two instrumentalists. The first movement, Jazz Waltz, is in ABA form with the middle section being a waltz in 4/4. The melody is introduced by the trombone and is passed back and forth throughout. In the enchanting second movement, Slow Dance, the musical material undergoes continuous development with the equality of the parts being paramount. The energetic final movement, Irish Jig, opens with an intriguing mixed meter section which leads to the rousing jig. It concludes with an exciting and frenzied accelerando and fugue. This work is fun to perform and has a great audience appeal! (11’30”) Grade IV. B740 $12.95 To order

   TIME CAPSULE (2002) by Howard Buss is an entertaining sonatina in four movements: Daybreak, Chorale, Rendezvous, and Homeward Bound and is both fun to play and listen to. The first movement has a frolicking and optimistic character. Chorale breaks with the traditional structure of the chorale in that each phrase gets a measure longer. The harmonies of the second movement contain some spicy dissonances as well. Rendezvous, is in a lilting 6/8 and really "works up a lather" as it progresses to an exciting climax. The final movement, Homeward Bound, begins with a fanfare-like passage that gives way to a spirited dance characterized by an intriguing interplay between the two instruments. (7’) Grade IV.
- Version for trombone and bass trombone   B350B $8.95 To order
- Version for trumpet and tenor trombone   B350A   $8.95 To order

TREK! “A Fantasy for Trombone and Piano” (1999) by Howard J. Buss is a powerful and exciting romp through four continuous movements. Fanfare, fugal, and jazzy sections contrast. This is a “must” for advanced players. Commissioned for the 1999 International Trombone Festival in New York, premiered by Douglas Wright (Minnesota Orchestra). (9’) Grade VI. B362 $16.50 To order
Trek! Sound Samples:
Excerpt 1.mp3 (1MB); Excerpt 2.mp3 (1005KB);
Excerpt 3.mp3 (1MB); Excerpt 4.mp3 (1MB)

TROMBONE CONCERTO (1983) by Howard J. Buss in three movements: Proclamation, Soliloquy, and Capriccio. This critically acclaimed composition works well as a feature number and as a contest piece. “An alternative to the Rimsky-Korsakov, the Jacob ‘Concertino’, or the Larson - substantial, listenable, I recommend it highly.” - Paul Hunt, ITA Journal. (18’) Grade V.
version for trombone and piano B342 $12.95 To order
version for trombone and band:
B342BS Score Only- $28.00 To order
B342BP: Parts Only - $52.00 To order
B342BCS: Complete Set (score & parts) - $80.00 To order
Trombone Concerto (version for trombone and band) score samples (transposed score):
Excerpt, Score, Movement 1.pdf (4 pages, 916KB); (all will open with Acrobat Reader)
Excerpt, Score, Movement 2.pdf (6 pages, 776KB);
Excerpt, Score, Movement 3.pdf (6 pages, 928KB);
Excerpt, Solo Part Movement 1.pdf (1 page, 100KB);
Excerpt, Solo Part Movement 2.pdf (1 page, 140KB);
Excerpt, Solo Part Movement 3.pdf (2 pages, 228KB)

Trombone with percussion ensemble

AMERICAN PHOENIX (2001) for solo bass trombone (or tuba) and four percussion by Howard J. Buss was written for Stefan Sanders, bass trombonist with the Buffalo Philharmonic and the 30th Anniversary of the International Trombone Association. Cast in three movements, this colorful work was composed immediately following the important world events of September 11, 2001. It was premiered by Mr. Sanders and members of the University of North Texas Percussion Ensemble at the 2002 International Trombone Festival in Denton, Texas. this colorful work is cast In three movements: In Remembrance 9/11/01, Repercussions, and Renewal. Percussion Distribution - Percussion 1: Xylophone, tubular bells (chimes), suspended cymbal, snare drum, police whistle, and Chinese bell tree; Percussion 2: Vibraphone, 2 suspended cymbals, 4 tom toms, bongos, and wood block; Percussion 3: Marimba, tam-tam, lion roar, ratchet, slapstick, wind chimes, and suspended cymbal; Percussion 4: Marimba (to low A), timpani (4), tambourine, 2 cowbells, and suspended cymbal."Buss’ melodies vary. They are mystic, poignant, heroic, often modal, and at times reminiscent of folk songs. He writes for the percussion ensemble with mastery and features a wide range of instruments. The sound landscape is rich with many moods and timbres. American Phoenix is an attractive addition to a solo program or as a feature piece for a percussion recital. It is rewarding for both performer and audience.” - The ITA Journal, January 2005 (15’) Grade V. B375 $48.50 Questions? To order
Score sample: Mvt. 1 “In Remembrance” 9/11/01 .pdf file (will open with Acrobat Reader)
Score sample: Mvt. 2 “Repercussions” .pdf file (will open with Acrobat Reader)
Score sample: Mvt. 3 “Renewal” .pdf file (will open with Acrobat Reader)
American Phoenix Sound Samples:
Movement 1 (In Remembrance 9/11/01), Excerpt A.mp3 (1001KB);
Movement 1 (In Remembrance 9/11/01), Excerpt B.mp3 (1MB);
Movement 2 (Repercussions), Excerpt A.mp3 (1.1MB);
Movement 2 (Repercussions), Excerpt B (the ending).mp3 (1021KB);
Movement 3 (Renewal), Excerpt A.mp3 (1.1MB);
Movement 3 (Renewal), Excerpt B (the ending).mp3 (795KB)

DREAM SEQUENCE (1987) for trombone and four percussion by Howard J. Buss was inspired by Carl Sagan’s poetic observation about dreams: “Late at night, when it is very still and the obligatory dreams have been dreamt, the gazelles and dragons begin to stir.” Subdued, mystical sections contrast with energetic and rhythmic episodes in a manner resembling a progression of dreams. Percussion distribution: Percussion 1: Marimba, celesta (muted orchestra bells may be substituted), suspended cymbal, claves, and 2 cow bells; Percussion 2: Vibraphone, maracas, bass drum and temple blocks; Percussion 3: Orchestra bells, guiro, and 2 suspended cymbals; Percussion 4: Chimes (tubular bells), bongos, wind chimes, tam-tam, triangle, and lion roar. “Worth programming and highly recommended.” - Percussive Notes. (10’) Grade IV. B316 $24.50 Questions? To order
Dream Sequence Sound Samples:
Excerpt 1.mp3 (1016KB); Excerpt 2.mp3 (1.1MB); Excerpt 3.mp3 (964KB)

Trombone ensembles

AVE VERUM CORPUS by W. A. Mozart, transcribed by Howard J. Buss. This sensitive rendition of one of Mozart’s most sublime works makes an outstanding feature number for a recital as well as a wonderful musical offering in church. (3’30”) Grade II-III.
- Version for 4 trombones B1009 $6.95 To order
- Version for brass quartet (2-1-1) B1008 $6.95 To order

   BROM BONES for trombone octet by Howard Buss.
This riveting “tour de force” musically depicts the character and exploits of Washington Irving’s dashing prankster, Brom Bones, in The Legend of Sleepy Hollow. The musical ensemble consists of 2 trombone quartets, each comprised of three tenors and one bass. The work is cast in 5 movements, the first two are interconnected:
   I. Overture (2:00)
   II. The Smoke Out (2.40)
   III. The Schoolhouse Caper (2:00)
   IV. Ichabod’s Romance (3:40)
   V. Night Encounter (3:10)
Following the energetic and heroic Overture, in The Smoke Out tone clusters represent the buildup of smoke in Ichabod’s singing school. Chorale-like passages suggest the music of the singers in training. The movement ends in transition, as Brom Bones and his small band of pranksters gallop off to their next adventure. The third movement, The Schoolhouse Caper, combines very aggressive and topsy-turvy passages with humorous, plodding interjections. Ichabod’s Romance begins as a beautiful unaccompanied ballad which is abruptly disturbed by a cacophony of brassy muted trombones, suggesting the whining of Brom’s mocking dog. Beautiful hymn-like sections serve as the backdrop to heartfelt solo passages, which are again disturbed by Brom’s annoying dog. The movement ends as it began, with the beautiful trombone solo. The intense final movement, Night Encounter, depicts Ichabod’s frightening and fateful run-in with the Headless Horseman, suspected by some to be Brom Bones in disguise. This piece is a “must” for the advanced college ensemble. Score and parts included. (14') Grade V-VI. B405 $34.50 To order

CANZONA by Florentio Maschera (1540-1584) transcribed by Howard J. Buss. This late Renaissance work is written in a stirring imitative style. It makes an outstanding feature number for a recital as well as a wonderful musical offering in church. (2’30”) Grade III.
- Version for 4 trombones B1013 $7.95 To order
- Version for brass quartet (2-1-1 or 2-0-2) part 3 of the music can be played by either a trombone or a French horn B1011 $7.95 To order
2-page score sample.pdf file (will open with Acrobat Reader)

DRY BONES, the well-known African American spiritual (the foot bone's connected to the leg bone, the leg bone's connected to the...), arranged for 4 trombones (3 tenor and 1 bass) by Howard Buss, makes a memorable concert feature as well as a rousing musical offering in church. Multiple players may be used on each part to expand the ensemble. This arrangement is hugely influenced by jazz. The composer wrote an extended two-part introduction which begins hymn-like, and then breaks out in a jubilant jazzy section. This is followed by a more traditional rendering of the spiritual; however, as the music reaches its climax, the jazz "licks" from the introduction are brought back as counterpoint against the main melody of the spiritual. The result is exhilarating, and for a bit of humor, just as the work ends, there is a "tongue-in-cheek" plagal cadence. (2’30”) Grade IV. B1014 $8.95 To order
2-page score sample.pdf file (will open with Acrobat Reader)
This work is also published in a version for brass quartet (2-1-1 or 2-0-2) Grade IV. B1015 $8.95 To order

LULLABYE FOR BEAR by Lee Heritage is a charming composition in which conservative modern writing is used in an appealing manner. Grade II-III. (3’30”) version for trombone choir (5 part) B727 $8.95 To order
Lullaby for Bear Sound Sample: Excerpt.mp3 (798KB)
(Live outdoor recording: You will hear the faint sound of night crickets in the background.)

ODYSSEY (1987) for trombone quartet (or ensemble) by Howard J. Buss is scored for three tenor and one bass. (A tenor with an F-attachment may play the 4th part is no bass is available.) This riveting composition is an exciting musical excursion by one of the eminent composers of contemporary trombone music. Bold fanfare sections contrast with beautiful chorale-like passages. The writing is idiomatic and the ranges are modest. (Part 1 ascends briefly to an optional high Cb and part 4 descends to a pedal G.) No extended techniques are employed, yet because of the intriguing scoring and the tasteful, ingenuous use of mutes, the music sounds fresh and invigorating. (10’10”) Grade V. B330 $18.50 To order
Sound sample.MP3 (1.1MB)

New! PRELUDE AND INTRADA (2007) for four euphoniums and/or trombones by Howard Buss. This attractive quartet features lyrical writing, and spirited rhythmic drive. The Prelude is an interesting combination of fanfare and lyrical sections as well as tonal and polytonal harmonies. The festive Intrada is in an ABA-Coda format and features crisp, energetic rhythms and lyrical contrapuntal writing. It works well as a memorable feature number or an impressive contest piece. Multiple players may be used on each part to expand the ensemble. (5’15”) Grade V. B409A $12.95 To order

RICERCARE ON C by Andrea Gabrieli (1510-1586) transcribed by Howard J. Buss. This late Renaissance work is written in a stirring imitative style. Particularly interesting are the meter changes involving metric modulations, a trait found in much of the dance music of the day. It makes an outstanding feature number for a recital as well as a wonderful musical offering in church. (2’30”) Grade III.
- Version for 4 trombones B1012 $7.95 To order
2-page score sample.pdf file (will open with Acrobat Reader)
- Version for brass quartet (2-1-1 or 2-0-2) part 3 of the music can be played by either a trombone or a French horn B1010 $7.95 To order

Trombone in chamber music - trios

A THOUSAND WORDS for clarinet, viola, and trombone by Thomas Zugger in four colorful movements: Irony, Blue Image, Serenity, and Rush Hour. At first the instrumentation may sound implausible. However, this work is masterfully written and the instrumental combination works exquisitely. (14’) Grade V. B742 $20.00 To order
A Thousand Words score samples (transposed score):
Excerpt, Movement 1.pdf (3 pages, 355KB); Excerpt, Movement 2.pdf (2 pages, 329KB);
Excerpt, Movement 3.pdf (2 pages, 296KB); Excerpt, Movement 4.pdf (3 pages, 485KB)

CAPRICCIO (1986) for clarinet, trombone and one percussion by Howard J. Buss is a rather whimsical composition. The overall structure of the work is related to sonata-rondo form. Following an introduction, the frolicking Exposition unfolds only to be interrupted by a chorale-like episode followed by a paraphrase of the opening “thematic” material. The development section consists primarily of cadenzas for the percussionist, trombonist, and clarinetist respectively. (The cadenzas are separated by colorful transitional passages.) The clarinet cadenza is abruptly interrupted by the percussionist and trombonist leading to a section in Dixieland style. The composition concludes with a Recapitulation and Coda.Capriccio subtly pokes fun at the pyrotechnical characteristics exhibited by many contemporary compositions and the same time hints at a parallel with similar elements in Dixieland and jazz. The work was premiered in at the University of South Florida in Tampa by the composer on trombone, clarinetist Judy E. Buss, and percussionist Robert McCormick on November 24, 1981. The instrumentation includes 5 tom-toms, snare drum, tambourine, suspended cymbals, cowbells, triangle, tam-tam, bell tree, one timpani, vibraphone and bells. Frolicking and freewheeling with 12-tone Dixieland to boot! - The London Times (13’) Grade V. B309 $22.00 To order
Capriccio Sound Samples:
Excerpt 1.mp3 (1.1MB); Excerpt 2.mp3 (1MB); Excerpt 3.mp3 (1.1MB);
Excerpt 4.mp3 (398KB); Excerpt 5.mp3 (the ending) (966KB)

CONTRASTS IN BLUE (2001) for trumpet, trombone, and piano by Howard J. Buss. A dramatic and colorful work in 2 picturesque movements: Evening Shadows and Summer Sea The music is evocative of the imagery suggested by the titles of the movements and of the musical “blues” as well. The themes of shadows and water also suggest a kinship with the impressionist style of 100 years earlier. (15:30) Grade V-VI. B376 $22.00 To order
Contrasts in Blue Sound Samples:
Movement 1 Sample.mp3 (795K)
Movement 2 Sample A.mp3 (1MB) Movement 2 Sample B.mp3 (730K)

DIVERTIMENTO (1969) for trumpet, trombone, and French horn by Edward Troupin. Troupin’s sound-world is dramatic and full of vitality. His Divertimento for trumpet, trombone, and French horn was composed in 1969. In this entertaining and delightful brass trio the beautiful and lyrical Andante is surrounded by brilliant, energetic movements. The colorful and contrasting sections within each movement combine in charming balance to make a memorable concert feature. (9’) Grade IV-V. B702 $16.00 To order

FLORIDA TABLEAU (1987) for clarinet, trombone and piano by Howard J. Buss is a picturesque work in 3 movements: The March of Progress, Pastorale, and The Eternal Sea. The energetic first movement features dramatic contrast between lyrical lines in the winds sounding over a hard-driving piano accompaniment, and a development section characterized by staccato melodic fragments being passed among the players. The beautiful second movement, Pastorale, is impressionistic and paints a sonic portrait of rural Florida's vast pasture lands, forests, lakes, and the Everglades. The final movement, The Eternal Sea, begins and ends with turbulent sections, one can easily imagine great waves crashing on the shoreline. The middle part of the movement has a swashbuckling and almost humorous quality about it, suggesting people frolicking at the beach. Florida Tableau was commissioned by the Florida State Music Teachers Association. “A curious musical blend of the old and the new, much like modern Florida itself.”” - The Orlando Sentinel (16’40”) Grade V. B320 $18.50 To order

TRIGON (1989) for trumpet, trombone, and tuba by Howard J. Buss. This riveting and energetic piece is characterized by lyrical passages juxtaposed with aggressive, angular sections. All three players are given substantial solo lines in this exciting tour de force. (10’) Grade V. B341 $18.50 To order

Trombones in chamber music - quartets (includes brass quartets)
AVE VERUM CORPUS by W. A. Mozart, transcribed by Howard J. Buss. This sensitive rendition of one of Mozart’s most sublime works makes an outstanding feature number for a recital as well as a wonderful musical offering in church. (3’30”) Grade II-III.
- Version for 4 trombones B1009 $6.95 To order
- Version for brass quartet (2-1-1) B1008 $6.95 To order
- Version for trumpet quartet (3 Bb and one Bb bass or baritone t.c.) B1024 $6.95 To order

CANZONA by Florentio Maschera (1540-1584) transcribed by Howard J. Buss. This late Renaissance work is written in a stirring imitative style. It makes an outstanding feature number for a recital as well as a wonderful musical offering in church. (2’30”) Grade III. - Version for 4 trombones B1013 $7.95 To order
2-page score sample.pdf file (will open with Acrobat Reader)
- Version for brass quartet (2-1-1 or 2-0-2) part 3 of the music can be played by either a trombone or a French horn B1011 $7.95 To order,
- Version for trumpet quartet (3 Bb and one Bb bass or baritone t.c.) B1022 $7.95 To order

DRY BONES, the well-known African American spiritual, arranged by Howard Buss, makes a wonderful concert feature as well as a rousing musical offering in church. Multiple players may be used on each part to expand the ensemble. This arrangement is hugely influenced by jazz. The composer wrote an extended two-part introduction which begins hymn-like, and then breaks out in a jubilant jazzy section. This is followed by a more traditional rendering of the spiritual; however, as the music reaches its climax, the jazz "licks" from the introduction are brought back as counterpoint against the main melody of the spiritual. The result is exhilarating, and for a bit of humor, just as the work ends, there is a "tongue-in-cheek" plagal cadence. (2’30”)
- Version for 4 trombones (3 tenor and 1 bass) Grade IV-V. B1014 $8.95. To order
2-page score sample.pdf file (will open with Acrobat Reader)
- Version for brass quartet (2-1-1 or 2-0-2) part 3 of the music can be played by either a trombone or a French horn. Grade IV. B1015 $8.95 To order,
- Version for trumpet quartet (3 Bb and one Bb bass or baritone t.c.) B1021 $8.95 To order

FUGA VII (from the Well-Tempered Clavier, Book 2) by Johann Sebastian Bach for brass quartet (two B-flat trumpets, French horn, and trombone), transcribed by Howard J. Buss. This outstanding transcription makes a wonderful and memorable musical offering in church. (3’) Grade III. B1001 $7.95 To order

ODYSSEY (1987) for trombone quartet (or ensemble) by Howard J. Buss is scored for three tenor and one bass. (A tenor with an F-attachment may play the 4th part is no bass is available.) This riveting composition is an exciting musical excursion by one of the eminent composers of contemporary trombone music. Bold fanfare sections contrast with beautiful chorale-like passages. The writing is idiomatic and the ranges are modest. (Part 1 ascends briefly to an optional high Cb and part 4 descends to a pedal G.) No extended techniques are employed, yet because of the intriguing scoring and the tasteful, ingenuous use of mutes, the music sounds fresh and invigorating. (10’10”) Grade V. B330 $18.50 To order
Sound sample.MP3 (1.1MB)

Trombone in chamber music - quintets and sextets (includes brass quintets)

AMERICAN PHOENIX (2001) for solo bass trombone (or tuba) and four percussion by Howard J. Buss was written for Stefan Sanders, bass trombonist with the Buffalo Philharmonic and the 30th Anniversary of the International Trombone Association. Cast in three movements, this colorful work was composed immediately following the important world events of September 11, 2001. It was premiered by Mr. Sanders and members of the University of North Texas Percussion Ensemble at the 2002 International Trombone Festival in Denton, Texas. this colorful work is cast In three movements: In Remembrance 9/11/01, Repercussions, and Renewal. Percussion Distribution - Percussion 1: Xylophone, tubular bells (chimes), suspended cymbal, snare drum, police whistle, and Chinese bell tree; Percussion 2: Vibraphone, 2 suspended cymbals, 4 tom toms, bongos, and wood block; Percussion 3: Marimba, tam-tam, lion roar, ratchet, slapstick, wind chimes, and suspended cymbal; Percussion 4: Marimba (to low A), timpani (4), tambourine, 2 cowbells, and suspended cymbal."Buss’ melodies vary. They are mystic, poignant, heroic, often modal, and at times reminiscent of folk songs. He writes for the percussion ensemble with mastery and features a wide range of instruments. The sound landscape is rich with many moods and timbres. American Phoenix is an attractive addition to a solo program or as a feature piece for a percussion recital. It is rewarding for both performer and audience.” - The ITA Journal, January 2005 (15’) Grade V. B375 $48.50 Questions? To order
Score sample: Mvt. 1 “In Remembrance” 9/11/01 .pdf file (will open with Acrobat Reader)
Score sample: Mvt. 2 “Repercussions” .pdf file (will open with Acrobat Reader)
Score sample: Mvt. 3 “Renewal” .pdf file (will open with Acrobat Reader)
American Phoenix Sound Samples:
Movement 1 (In Remembrance 9/11/01), Excerpt A.mp3 (1001KB);
Movement 1 (In Remembrance 9/11/01), Excerpt B.mp3 (1MB);
Movement 2 (Repercussions), Excerpt A.mp3 (1.1MB);
Movement 2 (Repercussions), Excerpt B (the ending).mp3 (1021KB);
Movement 3 (Renewal), Excerpt A.mp3 (1.1MB);
Movement 3 (Renewal), Excerpt B (the ending).mp3 (795KB)

CHROMATIC FANTASY (1997) for brass quintet (2-1-1-1) by Howard J. Buss was composed for the United States Air Force Brass Quintet. This exciting and engaging“tour de force” is a riveting excursion through driving ostinati and sparkling chromatic flourishes. Chromatic Fantasy was premiered by the U.S.A.F. Brass Quintet at the Eastern Trombone Workshop hosted by the U.S. Army Band in Ft. Meyer, VA. (8’) Grade V-VI. B356 $16.50 To order
Chromatic Fantasy Sound Samples: Excerpt 1 (the opening).mp3 (1MB);
Excerpt 2.mp3 (984KB)

CONCORD (1990) for brass quintet (2-1-1-1) by Howard J. Buss teems with the vitality of youth. Lyrical passages are juxtaposed with fanfare-like sections to create a dramatic and festive atmosphere. Written for the opening of a performing arts high school in Florida, this exciting composition was winner of the 1991 “Erik Satie Award” of New York City. This significant addition to the repertoire makes a great contest piece or rousing feature number.(6’) Grade V. B313 $16.50 To order
Concord Sound Samples:
Sample 1.mp3 (1MB) Sample 2.mp3 (1.2MB) Sample 3.mp3 (412K)

PLANE DANCING (1984) for flute, trumpet, bass clarinet, bass trombone, and two percussion by Erik Lund makes an exciting and colorful contrast on any program. This is music with thrust, intensely alive. Percussion distribution - Percussion 1: Three cymbals, tom toms (5), vibraphone, temple blocks, iron frying pan, cow bell, and brake drum; Percussion 2: Maracas. “An excellent addition to the chamber music program.” - Percussive Notes (5’) Grade V. B402 $24.50 To order
Plane Dancing Sound Samples:
Excerpt 1 (the opening).mp3 (1.1MB); Excerpt 2 (the ending).mp3 (1.2MB)

SONATA K. 380 by Scarlatti, Domenico for brass quintet (2-1-1-1), transcribed by Howard J. Buss. This delightful work was originally composed for keyboard by Domenico Scarlatti around the year 1754 and was entitled Sonata in E Major K. 380 (Longo 23). This transcription for brass quintet preserves the essential traits of the composer’s unique style, including his compositional use of register with florid treble parts and a strictly functional, supportive bass. (6’30”) Grade IV. B1002 $8.95 To order

SONIC FABLES: “Lessons from Aesop” (1991) for brass quintet (2-1-1-1) and one percussion by Howard J. Buss. Entertaining musical representations of six of Aesop’s famous fables are presented between a Prelude and Postlude. The text of the fables is printed on a preliminary page to the score and may be used as written program notes. Each fable may also by recited by a member of the ensemble or a narrator prior to performing the accompanying movement. Because of the programmatic subject matter and the colorful spirit of the music, Sonic Fables works well with all types of audiences, including those of children. It is frequently used as a feature number by professional ensembles on school programs. Percussion: 2 suspended cymbals, temple blocks, snare drum, tomtom, triangle, tambourine, wind chimes, xylophone, and tam-tam. The total duration is about 17 minutes; however, the 8 movements may be performed in smaller groupings if so desired by the performers. (18’) Grade V-VI. B339 $28.50 To order
Sonic Fables Sound Samples:
Prelude.mp3 (excerpt with the beginning of narrator's lead-in to the first fable) 844KB
The Hawk and the Nightingale.mp3 (excerpt) 916KB
The Middle-Aged man and His Two Mistresses.mp3 (excerpt) 1MB
The Cat and the Rooster.mp3 (excerpt) 1.2MB
The PipingFisherman.mp3 (excerpt, with the beginning of narrator's lead-in to the next movement) 940KB
The Fox and the Leopard.mp3 (excerpt) 1.1MB
The Lion and the Bear.mp3 (excerpt) 764KB
Postlude.mp3 (excerpt) 1.2MB

New! WARP! (1994) for brass quintet by Robert J. Frank. The title was inspired by the term from Star Trek where warp engines would bend time and space to propel the ship at incredible speeds. Exploring relationships between time and space in a musical sense, this work begins with motives and fragments free-floating in space. These gradually build in energy and motion until coming into phase with one another. After this cadence, a motor section expands and develops the previous free-floating motives over driving, repeated patterns. As the speed increases, these motives fade in and out of phase with each other until the motives come back into phase at "warp speed" in the exciting conclusion.Warp! is a fun and exciting concert feature! (3') Grade V. B716 $16.50 To order
Warp! sound sample: Excerpt.mp3 (966KB)

Trombone and band

TROMBONE CONCERTO (1983) by Howard J. Buss in three movements: Proclamation, Soliloquy, and Capriccio. This critically acclaimed composition works well as a feature number and as a contest piece. “An alternative to the Rimsky-Korsakov, the Jacob ‘Concertino’, or the Larson - substantial, listenable, I recommend it highly.” - Paul Hunt, ITA Journal. (18’) Grade V. version for trombone and piano B342 $12.95 To order
version for trombone and band:
B342BS Score Only- $28.00 To order
B342BP: Parts Only - $52.00 To order
B342BCS: Complete Set (score & parts) - $80.00 To order
Trombone Concerto (version for trombone and band) score samples (transposed score):
Excerpt, Score, Movement 1.pdf (4 pages, 916KB); (all will open with Acrobat Reader)
Excerpt, Score, Movement 2.pdf (6 pages, 776KB);
Excerpt, Score, Movement 3.pdf (6 pages, 928KB);
Excerpt, Solo Part Movement 1.pdf (1 page, 100KB);
Excerpt, Solo Part Movement 2.pdf (1 page, 140KB);
Excerpt, Solo Part Movement 3.pdf (2 pages, 228KB)

To order

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